Tuesday, February 19, 2019

New Media Convergence and Audience Fragmentation and Programme Content in International Broadcasting

unfermented Media intersection point and auditory sense atomisation and plat socio-economic enlighten Content in Inter subject field b atomic number 18 The sensitive media technologies shake off been referred to as the conversation change due(p) to the immense changes they gift brought to toilet conversation and social lifestyles in past decade or so. The expression vernal media has been in do since the 1960s and has had to encompass an expanding and diversifying set of use communication technologies such the it is approximatelyhow impracti wrinkle to tell just what the sweetborn media comprise.As far as the essential features of smart media be concerned, however, the chief(prenominal) ones assimilate the appearance _or_ semblance to be their interconnectedness their admission chargeibility to individual users as senders or receivers their inter exertion their multiplicity of use and open-ended character and their ubiquity and al more or less limitless al l-encompassing located-ness. The raw(a) media could be said to have brought a communications revolution because it seems to have brought a revolt against bus communication and all that it utilize to stand for. The two main driving force of this communications revolution atomic number 18 major planet communication and computer technologies.The key to the immense index number of the computer as a communication device lies in the handle of digitalization that allows entropy of all kinds in all trendats to be carried with the akin efficiency and withal in a multiplex. parvenue heart and soul of contagion by cable, satellite and receiving set have immensely increased the capacity to transmit. New means of storage and retrieval including the personal video recorder, the supple phone, CD-ROM, compact disc, DVD, etc, have in addition expanded the range of possibilities, and even the contradictory throw device has forega on that pointd a part.The m some(prenominal) possi bilities of media-making (camcorders, PCs, printers, cameras, etc, especially in digital form) have changed immensely the practice of journalism whether print or institutionalize, such that the amateur or the passkey atomic number 18 universe bridged. there ar besides cutting kinds of quasi-media such as computer games and virtual(prenominal) reality devices which seem to be all overlapping with the circle media in their finishing and in the satisfaction of use. The communications revolution has existence of benefit to handed-down media and the sense of hearing due mainly to the interactivity that has become possible.What is the nature of convergency? intersection is the advance together of different technologies, the fusion of two or more than technologies to form something new and different, something that has attri howeveres of each but is altogether unique(p). The new technologies and products that contribute from convergence ar with child(p)er than the sum of the original parts, and the two most powerful and pervasive technologies information and media are converging. The result of convergence has been called techno-fusion. What are the differences between the nonagenarian and the new?Today the differences between the old and new are difficult to distinguish partly because some media forms are direct distributed across different types of transmittal channel, reducing the original uniqueness of form and experience in use. Also, the increasing convergence of technology, based on digitalization, behind only reinforce this tendency. Thirdly, globalization has reduced the distinctiveness of domestic nitty-gritty and institutions and as such mental ability and practices are becoming global or universal though some are domesticated variants of the global.Nevertheless, there are some conduct differences in cost of physical and psychosocial characteristics, in terms of perceived trust and credibility for example. Differences are obv ious concerning freedom and control where the new seems to be freer and less controlled especially by authorities. Secondly, differences are clear concerning what each is good for and the perceived uses by individual sense of hearing members. What is New Media? New media rely on digital technologies, allowing for previously separate media to converge.Media convergence is desexualised as a phenomenon of new media and this sight be explained as digital media. The idea of new media captures both the development of unique forms of digital media, and the remaking of more traditional media forms to usurp and adapt to the new media technologies. intersection point captures the development futures of old media and merges it with new media. Blogs, and Pod postages are all part of new media. MySpace and Facebook are part of social media ( similarly k directn as viral marketing), which is a branch of new media.What is new ab out the new media? It is pertinent at this point to understand that a medium is non just an applied technology for transmittance of certain exemplary content or of gene linkage among people but that it besides embodies a set of social relations that interact with features of the new technology. in that respect are some evidences that mass media have changed from the past two or three decades from the days of one- air, one-directional and undifferentiated consort to an undifferentiated mass sense of hearing due to certain features of new technology.What is new is basically due to the fact of digitalization and convergence. Digitalization is the process by which texts can be reduced to binary form and used in production, distribution and storage. Convergence is the digital linkage and symbiosis between media forms in terms of organization, distribution, reception and regulation. Mcquail (2006) has defined convergence as the process of coming together or becoming more alike of media technologies due to digitalization. The new media transce nds the limit of traditional print and circularise in the following shipway ?It enables many-to-many conversations ?It enables the simultaneous reception, alteration and redistribution of cultural products ? It dislocates communicative action beyond theme boundaries bringing in the death of the distance across the world more than succinctly, what is new about the new media whitethorn be the combination of interactivity with innovational features such as, the unlimited range of content and content format, the scope of sense of hearing reach, and the global nature of communication. opposite features include, that the new media are as oft private and everyday communication and that their operation is not typically professional or bureaucratically organized to the same degree as the mass media. Another feature of the new media is that the boundaries between publisher, producer, distributor, consumer and reviewer of content are blurring, leading to a general meltdown of roles tha t whitethorn result in the emergence of separate, more specialized institutional complexes of media skills and activities. So, what is new? ?Digitalization ?Convergence Divergence from mass communication ?Adaptation of media roles ?Interactivity and fragmentation of hearing ?Fragmentation of media organization and institution ?Reduced control Categories of new media While new media technological forms continue to multiply and diversify, there are as at now four main categories. ?Interpersonal communication media ?Interactive play media ?Information search media ?Collective participatory media Key characteristics of new media The following are the key characteristics unique to the new media across the four categories. Interactivity ?sociability ?Media richness ?Audience autonomy ?Entertainment ? drug user privacy ?User personalization Audience Fragmentation and Programme Content in Inter internal Broadcasting Countries and cultures have long been in communication across borders howe ver, in the twentieth century, first radio receiver set, then tv and the lucre accelerated that process dramatically. content leaders are often unnerved when broadcasts or other information comes straight across borders without any chance to stop, control, or mediate it.In the 1930s and 1940s, around World War II and the cold war, radio seemed menacingly effective in propaganda across borders. receiving set competitions and clashes, even some miniature cold wars of their own, erupted among a number of countries in the Asia, Middle East, Latin America, Eastern Europe and the West and USA. By contrast, broadcast television seemed consolingly short range as it took preeminence from the late 1940s on. beam television was the next big technological development in foreign broadcasting.As early as the 1960s controversies started concerning the use of this type of transmittal for fear of the propaganda and intrusion into national borders. The debate culminated in a stock split bet ween the developed and the developing regions of the world concerning cultural imperialism, media imperialism and the imbalance in intelligence agency flow across the globe. The global spread of satellite and cable TV channels in the 1990s has seemed to increase the outflow of American and European television programming and films to other countries.The internet has become the in style(p) major t technology to deliver radio, television, music downloads, video downloads, films, news stories, newspapers, and new forms of content, like weblogs, across national and cultural borders. The growth of the internet in the late 1990s and 2000s has also threatened the ability of national governments to control cross-border flow of information and entertainment. The internet continues to bring a great deal of content from the USA and the West into other parts of the world.However, it also frequently cheaper to produce either information or entertainment for the internet, so many governments, cultures, religion, and ideologies now produce for and distribute over the internet. Governments dropd activity in outer radio, despite early developments and precedents from commercial transnational shortwave broadcasting prior to World War II. However, it seems private actors instead of governments now dominate global television news and entertainment.What are the implications for the audience of the shift from government supranational radio broadcasting to private international satellite television? What of the further shift on the internet to supplement or exchange the dominance of major international radio and international commercial TV? What of the implications of the fact that most radio audiences today tend to be sooner local anaestheticized, given a pick, particularly with the spread of higher fidelity stereo system FM broadcasts, which deliver the best available radio sound caliber but seldom cover more than a limited urban area?What are the motivations for broa dcasting internationally? Four major reasons have been adduced for both state-run and private organizations transmitting directly across borders to enhance national or organizational prestige to promote national or organizational interests to attempt sacred, ideological or political indoctrination and to foster cultural ties. When governments are the primary actors as it is here, the goal is often summed up as public diplomacy. That is the deliberate effort by governments to affect foreign public assent in a manner that is positive to their goals.Public diplomacy whitethorn be defined as the influencing in a positive way the perceptions of individuals and organizations across the world. Another perspective on this sees motivations in terms of being an instrument of foreign policy, as a mirror of society, as symbolic presence, as a converter and sustainer, as a coercer and intimidator, as an educator, as an entertainer, and as a seller of goods and services. Evidence of the import ance that governments attach to international broadcasting can be found in their total lading to funding and support using diverse models as whitethorn be found in BBC, VOA, Radio Moscow, RFI, etc.Similarly, as the internet now permits a greater variety of players to broadcasting, many more have entered to take all or some of similar goals. Why audiences listen or view across borders? According to the categories of audience motivations listed by Boyd (1996) as cited by Straubhaar and Boyd (2003), audiences tune in to hear news and information, to be entertained, to learn, to hear religious or political broadcast, to enhance their status, to protest, or to pursue a hobby.Concerning the header of media effects on audience in international broadcasting, the available studies manifest that the effects of international radio broadcasting are relatively limited. Nevertheless, there are at least some historical causal agents in which international radio as part of public diplomacy h ad considerable impact. Radio Free Europe clearly had a role in fomenting the Magyar uprising of 1956. The USA conducted radio wars against Cuba and Nicaragua fomenting refugee flight if nothing else.The use of radio in international broadcasting is changing decisively however, as most of the services are moving away from transmitting on shortwave radio and moving towards re-broadcasting or re-transmitting on leased local FM facilities and also supplementing these efforts by web casting. Today, international radio broadcasters tend to put their signals out as streaming audio feeds on the internet. global radio is also some judgment of convictions sought by those who do not trust the local or national media readily available to then.This and other factors may be affecting the international audience in the direction of fragmentation. Few international broadcasters today have anything resembling a mass audience, instead they have fragments of cell nucleus listeners of viewers who a re attracted by tradition or habit or interests in specific programming such as news, music, documentaries, sports and so on. Audience Fragmentation in International Broadcasting The rise of new media has brought the doubtfulness of audience fragmentation and selective exposure to the front burner of concerns by the broadcast media.This is because audience fragmentation has emerged as the inevitable consequence of audience alteration based on diversity of participation and reception that have been compound immensely by the convergence of media technologies. Audience fragmentation may also be due to diversity of media content and the loyalty or otherwise of the audience to these various programmes. In the same way there are many broadcast channels and stations even at the external broadcasting level such that loyalties may have become separate over the multitude of international stations available to the audience.The array of broadcast options available to the audience may have thus created a rare degree of audience fragmentation. There has been created a new multi-platform world due to the convergence of new media. For example, the number of listeners or viewers who now use their PCs or mobile phones for monitoring the newscast instead of waiting for specific time periods of broadcast from their station of choice usually on traditional media may be increasing as more and more people adopt several new media options available to them.Such fragments of listeners or viewers may actually replace their traditional media channels with the ones they now have in multimedia. Some viewers now choose to watch news highlights on the web at their convenience rather than the scheduled news cast they used to frequent. Traditional broadcasters cannot afford to ignore cable and satellite operators as well as the web, mobile and other alternative distribution channels who may have contributed to the fragmentation of their traditional audience.Today media scholars and pract itioners have act to debate whether the mass audience really exists any more or whether mass audience has not become a myth. This exit or question persists because they take exception them to re-think presumed givens of the past while also providing a model within which to examine the undeniable evidence of fragmentation of the broadcast audience today. As information and communication technologies increasingly become available and inexpensive to people and are more widely adopted news and circulating(prenominal) affairs media may have to strategize on ow to move away from being mass media to media targeting and specific niche programming and distribution. The external channel may have to do some audience look for to find out what type of audience are disengaging form their traditional media and for what reasons. So also the world-view of such audience may have to be ascertained and infix in programme content so as to attract the audience. Other forms of distribution that ma y compliment the traditional may have to be considered and appropriated. How to view and review the audience against the backdrop of fragmentation?Any paygrade of audience should start with a disturbing doubt about the move validity of the term. On the threshold of an era in which pressing a button summons any song, stock number or pic episode on display anywhere in the house and shaving and on demand viewing or listening replace the fixedness traditional listening or viewing habits. The notion of audience as a participation or solidarity group, or as a form of involvement in a text which one has not summoned or invented oneself, a text that can surprise, becomes problematic.The danger to audiences posed by their disembodiment into individual dreams bubbles, or their disappearance into time-shift recorders who never find time to listen or view, is not as close as the technologies that allow it. The conditions underlying identity, sociality and community are slower to change tha n technologies. We fill out that the world cup or the English league or the Olympic Games find us aid as faithful audience members, be it within the community, the nation or even the globe.These examples however suggest that the term audiences is too general. Fans may be more fitting in the case of football, and public in the case of an al-Qaida attack. But, whether listening or viewing as we used to know it is seriously threatened, the acutely destabilizing transformations of communication technologies suggest that the concept of audience should be studied in tandem with its counterpart the dominant media and genre it faces.Those changing technologies also suggest that the way in which audiences are situated is everyone listening or viewing at the same content, are they listening or viewing alone or together, are they talking or silent, is the transmission live or recorded is inseparable from characteristics of the media they interact with, marked by their technological and ins titutional characteristics, and the ways in which they perceive their consumers. The larger stick out suggests that the contemporary media environment holds two types of threats to audiences.One is the abundance of what is offered, chasing viewers or listeners to an endless choice of niche channels or stations and time-shift options which may operate as a boomerang pushing us to shape on good old broadcast radio or TV and find out what is on. The second threat is the internet. It has been contended that internet user are not really audiences as it can not be seen as an electronic mass medium but rather as an umbrella, multi-purpose technology, slopped with a broad range of disparate communication functions, such as shortcutting mediators in the management of daily life.In reality the internet fosters audiences but goes beyond that to provide a myriad of services that may not be in the mode of mass communication especially as it does not fulfill the need of listening or viewing te xts over which audiences have no direct control and /or texts that enable the suspending of unbelief. presumptuous that in spite of the dramatic transformation in the media environment, audiences are good-tempered alive, so do the technologies that nurture them , what follows is a review of the changes undergone by mass media audiences and the ways in which these changes were defined.A very useful scheme to define audiences categorizes them into three citizens, consumers and jugglers. The audience is categorized thus based on the historical progression of broadcasting through three eras, moving from scarcity to get atibility to trade. Each phase carries an image of the audience. Scarce broadcasting incubatees audiences as a unified mass of citizens while available broadcasting addresses them as individual consumers.Todays broadcasting of plenty seems to be addressing nonsocial jugglers somewhat paralyzed by endless choice, offering listeners or viewers to either commute betwee n isolated niches or listen or view broadcast as impotent witnesses. Ellis (2000) as cited by Straubhaar and Boyd (2003), implied that in the first era of scarcity of broadcast, radio and then TV address citizens who in the period of availability turn into consumers and in the phase of plenty become jugglers.The citizen is a passive audience often comprising a unaccompanied crowd subjected to broadcast directed at the mass audience as such broadcast reaches all groups uniformly, but this is soon changed to the consumer who is an active audience who has choices and multiple interpretations and plurality of ways of getting involved and varying tastes that can be addressed. The age of plenty provides endless options for activity for the juggler audience, but raises the issue of how such activities should be defined.Here, near endless choices weakens commitment and makes the audience to amend to juggling between competing programmes, stations or channels, or media. The monstrous dimen sions of choice in this present phase may be leading in two directions. As indicated by Ellis, jugglers can choose between retreating to any obscure, esoteric, isolating niche of broadcasting or joining the citizens and /or consumers by turning to broadcast of traditional radio or TV. What is the implication of audience fragmentation for programme content?Following the identification of todays audience as a juggler audience due to fragmentation the main programme content strategy should border on how to retain the effect listeners and viewers and provide niche programmes at the same time. This requires audience research on a more or less continuous basis. International broadcast channels may have to imitate the local FM channels that have mastered the art of creating programme formats that make them unique even where there is a proliferation.The BBC and VOA do a lot of audience research but hardly make them public but they have started utilizing re-distribution and re-transmission on local FM in some regions of world and also making their presence available on the internet and on satellite and cable. What are the prospects of new media? The new media have been widely hailed as a potential way of escape from the oppressive top-down politics of mass democracies in which tightly organized political parties make policy one-sidedly and mobilize support behind them with minimal negotiation and grass-roots input.They provide the means for the provision of information and ideas, almost unlimited access for all voices and much feedback and negotiation between sender and receiver in the mass media. They harbinger new forums for the development of interest groups and formation of opinion, and allow social discourse without the inevitable intervention of governmental institutions or state machineries. They promise current forms of freedom of expression that may be difficult to control by government. There is the prospect of a reduced role for professional diary keepe r to mediate between citizen and government and to mediate in the public subject area generally.There is also the promise of absence of boundaries, greater speed of transmission and low cost of operations compared to traditional media. The biggest prospect is the ready access for all who want to speak, unmediated by the powerful interests that control the content of print and broadcast. What are the challenges? The new media are no different from the old in terms of social stratification of ownership and access. It is the better-offs that can access and upgrade the new technologies and they are always forwards of the working class or the poor.They are differentially empowered and if anything move further ahead of majority of the people. The new media require new skills and new attitudes to learning and working. There must be the attitude of life-long learning to catch up with new skills demanded by the pace of technological changes. There is also the issue of multi-tasking and its event or otherwise on the users of new media technologies. Finally, there is overriding challenge of control and diminishing of the freedom of new media. References Anokwa, K. Lin, A. C. , Salwen, B. M. (2003). International Communication Concepts and Cases. Belmont, CA Wadsworth/ Thomson. Axford, B. and Huggins, R. (eds). (2001). New Media and Politics. capital of the United Kingdom Sage. Curran, J. and Gurevitch, M. (2005). Mass Media and Society, 4th ed. London Hodder Arnold. Jones, S. G. (2003). Encyclopedia of New Media. Thousand Oaks, CA Sage Kamalipour, R. Y. (2007). Global Communication, 2nd ed. Belmont, CA Thomson. Koelsch, F. (1995). The Infomedia conversion How it is changing our world and your life.Montreal Mcgraw-Hill Ryerson. Liebes, T. (2005). Viewing and Reviewing the Audience Fashions in Communication Research, in Curran, J. and Gurevitch, M. (2005). Mass Media and Society, 4th ed. London Hodder Arnold. Mcquail, D. (2006). Mcquails Mass Communication Theory. Londo n Sage. Slevin, J. (2000). The Internet and Society. Cambridge Polity. Straubhaar, D. J. and Boyd, D. A. (2003). International Broadcasting, in Anokwa, K. , Lin, A. C. , Salwen, B. M. International Communication Concepts and Cases. Belmont, CA Wadsworth/ Thomson.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.